2-Channel Active XLR Adapter

2-Channel Active XLR Adapter

. The BeachTek DXA-SLR ULTRA is our newest and best adapter ever. Superb operation and ease of use make capturing professional audio directly to your DSLR camera a snap. New powerful preamplifiers give you exceptionally clean audio with plenty of punch. Your audio will always be recorded in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post. The BeachTek 2-Channel Active XLR Adapter is very easy to set up and use. The Neutrik brand combo XLR / 1/4' inputs makes it easy to attach a variety of audio gear including wireless systems mixers sound boards and professional condenser microphones that require phantom power to operate. The inputs are transformer balanced for isolation and enhanced circuit protection. Built-in VU meters makes it easy to verify the proper input levels at a glance while the level controls allow you to adjust the output signal for optimum recording. Built-in fast acting limiters prevent distortion from overly hot inputs for worry free operation. The phone jack lets you monitor the audio from the adapter during recording or camera during playback. A unique feature of the DXA-SLR ULTRA is the sleek detachable rod support system to easily attach a matte box follow focus and other gear for incredible versatility. Includes two 3″ rods that are threaded on both ends. Extra rods can be simply threaded on to extend to any length needed. The adapter mounts neatly to the bottom of the camera and can also be mounted to any standard tripod. Everything about the adapter was designed to be extremely easy to use from the ergonomic all metal ergonomic chassis with nice rubber grips to the bright easy to read VU meter and drift free volume controls. Nothing could be easier to use or provide better performance. Ultra performance ultra functionality. Features: Detachable rod support base to easily attach a matte box follow focus and other gear to a rod support rig. Includes two threaded 3' rods 3.5mm input to loop back from camera for playback monitoring Built-in headphone amplifier with volume control and 3.5 mm phone jack lets you monitor the audio from the adapter during recording or camera during playback Switchable 12V/OFF/48V phantom power for both channels Built-in limiters prevent distortion from overly hot inputs High/low gain setting for each channel and MIC/LINE switches allow connection of a variety of microphones mixers and other gear for versatility Easily replaceable 9-volt battery and low battery indicator Transformer-balanced inputs for isolation and enhanced circuit protection Sturdy die-cast aluminum enclosure

Price: $469.00


DXA-SLR Pure Passive Audio Adapter for DSLR Cameras

DXA-SLR Pure Passive Audio Adapter for DSLR Cameras

. The Beachtek DXA-SLR Pure Passive Audio Adapter is a two-channel passive audio adapter for connecting amplified signals from a wireless mic or a mixing board to any DSLR camera that has a built-in mic jack. It can also be used with any camcorder or other audio recording device that has a mic jack. Passive circuitry is ideal for these applications as no additional amplification is required for pure clean audio with no electronics to get in the way. Another benefit is that no power is needed to pass the audio signal. Connecting external devices has never been easier. Features two Neutrik combo XLR connectors with integrated phone jacks for connecting either balanced or unbalanced inputs. The DXA-SLR PURE uses exceptionally low noise wide bandwidth balancing transformers. This allows you to record high quality audio directly to the camera which will always be in sync with the video. Direct audio recording eliminates the need to have a separate audio recording device and syncing the audio in post editing. Built-in VU meters makes it easy to verify the proper signal levels at a glance while the level controls allow you to adjust the output signal for optimum recording. The phone jack lets you monitor the audio from the adapter during recording or camera during playback. Since the gain is unity the output level will only be a strong as the input level which is why this device is ideal for amplified signals only. it is not intended for direct connection to microphones. The adapter mounts to the bottom of the camera and can also be mounted to any standard tripod. Features: Inputs - Two Neutrik combo XLR connectors with integrated 1/4' phone jacks Loop back for playback monitoring Outputs - Unbalanced stereo mini-plug jack for connection to the camera Headphone Monitor - Built-in headphone amplifier with volume control 3.5 mm phone jack VU Meter - Easy to read level meters indicate proper signal level for each channel Level Controls - Adjusts signal level output on each channel MIC/LINE Switches - Allows connections of wireless microphones or mixers for versatility Playback Monitor - Provides an easy way to monitor audio on playback Power - Easily replaceable 9 volt battery Low battery indicator Case - Sturdy die-cast aluminum enclosure

Price: $329.95


SmartLynk On-Camera 2-Channel Audio Mixer

SmartLynk On-Camera 2-Channel Audio Mixer

. The MyMyk SmartLynk On-Camera 2-Channel Audio Mixer is a compact portable/on-camera two-channel mixer and monitoring device giving you the results of a professional audio production rig at a fraction of the price. The perfect companion to the SmartMyk microphone and the MyMyk Camera Audio iPhone app SmartLynk allows you to monitor your sound input prior to and during recording; block unwanted AGC noise from the camera by overriding the camera's built-in Automatic Gain Control (AGC); or record external audio without needing to be attached to your DSLR or video camera. What's more it has two microphone inputs so you can capture multiple audio channels at once. SmartLynk matches the performance of SmartMyk with Highly Defined Audio incorporating the same high tolerance components connectors and rotary audio controls used by leading audio manufactures of high end broadcast mixing consoles. SmartLynk weighs an incredible 180gms including batteries making it one of the lightest audio stations of its type on the market today. The body is made of polycarbonate ABS material which is extremely lightweight while at the same time remaining strong and robust. SmartLynk features Automatic Gain Control (AGC) blocker technology which prevents the camera from automatically deploying its internal automatic volume gain control thereby preventing unwanted hissing noise on the recorded audio track. SmartLynk employs two independent microphone inputs with individual input gain controls. The output can be mixed or split to independent outputs or output to your camera/recorder or MyMyk Camera Audio IOS App. SmartLynk works in conjunction with the MyMyk Camera Audio IOS App to monitor your levels as you record and capture audio straight to your smart phone. Manage your files direct from your phone listen back to the results immediately then at the touch of a button send the files to your edit suite or another application. SmartLynk features a 250mw per side stereo headphone amplifier providing ample power to drive any enclosed monitoring headphone for a clear highly defined audio signal pre or post record. SmartLynk features an all metal quick release cold shoe mechanism which allows it to be easily removed from the camera. The cold shoe can also be removed from SmartLynk to allow other attachments to be fitted to the thread adaptor. SmartLynk is proudly designed in Australia by a consortium of industry professionals from the sound film and broadcast industries combined with a team of highly skilled industrial and electronic designers with major contributions from many of Australia's leading location sound recordists and cameramen. Features: 2x 1/8' Inputs Compatible with All Powered Mics Designed for SmartMyk Microphone Compatible with MyMyk iOS App Camera Mountable AGC Blocker Overrides Camera's AGC Built-In Headphone Amplifier Quick-Release Cold Shoe

Price: $249.00


Riggy-Assist Dual-XLR Preamplifier with Metering No Phantom Power

Riggy-Assist Dual-XLR Preamplifier with Metering No Phantom Power

. 2XLR inputs low-noise preamp. 'Riggy-Assist' means that it has added features to the Riggy-Micro to assist with cameras which do not have headphones meters or manual control. It is Riggy in that it has numerous mounting and accessory options (patent pending).  Audio output bracketing (patent pending) for camera overload protection. Alkaline/LiPolymer operation (patent pending).  Selective power-down mode (patent pending).  The JuicedLink Riggy-Assist Dual-XLR Preamplifier with Metering (No Phantom Power) takes all of the great features found in the  Riggy-Micro RM202 and adds AGC Disable Headphones and Meters. The Riggy-Assist incorporates Audio Output Bracketing (patent pending) for camera overload protection. All of the microphone signals are combined (by setting the MONO/STEREO switch to MONO) and sent to both the the left and right output channels. The copy on the right output channel is then attenuated to a safe lower signal level (about 16dB lower by turning ON the Rpad switch). So if you blow out the main audio channel on the left you have a back up that you can pull from in post on the right. This approach has advantages over other types of overload protection such as limiters. First Audio Output Bracketing consumes no power from the battery and also adds no noise or distortion to your audio. Second every camera gain setting (and every different camera) will have a unique signal level at which clipping will start to occur. So if you were to attempt to use a limiter approach you would need to re-calibrate the point at which the limiter would kick in for each different gain setting of the camera (and each different camera). Be careful because not all manufacturers even provide you with the ability to set the limiter threshold setting. Audio Output Bracketing needs no calibration for different cameras or different camera gain settings. The backup channel is always there at ~16dB lower signal level regardless of the camera or camera gain. The Riggy-Assist uses a 9V battery and is a high-current device when all of the elements are in operation. However the Riggy-Assist has a number of features to allow you to optimize your battery life. Portions of the preamp can be selectively powered down if not being used (patent pending) to reduce the current and extend the battery life. If you are doing a fair amount of running-gunning with only one mic you can power down 1 of the XLR channels (patent pending). If you are using a camera that has meters visible while recording you can power down the meter (patent pending). Furthermore there are very high capacity lithium-polymer batteries on the market which also have the convenience of being rechargeable. The low-battery indicator can be switched between alkaline or lithium-polymer threshold so you can use either chemistry without leaving unnecessary capacity in the battery (patent pending). Battery estimates below. The Riggy-Micro series of preamps (RM202) will get considerably longer battery life as it does not have the headphone meter or AGC Disable circuitry (and it will be smaller and lighter). The Riggy-Assist is designed to be used with cameras which do not have manual control meters or headphones. The preamp adds AGC Disable meters and headphones that are missing in the camera. If your camera already has those features then check out the Riggy-Micro line of preamps. The Riggy-Assist can also be used as a XLR front end to digital audio recorders. Here are some of the many companion devices used with the Riggy-Micro. Features: Two Locking XLR Input Connectors Low-Noise Microphone Preamplifiers 4-Segment Meters can be User-Calibrated Audio Output Bracketing Feature AGC Disable Switch Mic/Line Signal Level Switches Hi/Lo Gain Level Switches 1/8 In. Mono Headphone Output with Level 1/8 In. Output for DSLR Compatibility Powered by a 9V Battery

Price: $329.00


Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering

Riggy-Assist Dual-XLR Preamplifier with Phantom Power and Metering

. The Riggy-Assist Dual-XLR Preamplifier by its manufacturer JuicedLink.  2XLR inputs low-noise preamp with 48V/12V phantom power. 'Riggy-Assist' means that it has added features to the Riggy-Micro to assist with cameras which do not have headphones meters or manual control. It is Riggy in that it has numerous mounting and accessory options (patent pending). Audio output bracketing (patent pending) for camera overload protection. Alkaline/LiPolymer operation (patent pending). Selective power-down mode (patent pending).  The Riggy-Assist incorporates Audio Output Bracketing (patent pending) for camera overload protection. All of the microphone signals are combined (by setting the MONO/STEREO switch to MONO) and sent to both the the left and right output channels. The copy on the right output channel is then attenuated to a safe lower signal level (about 16dB lower by turning ON the Rpad switch). So if you blow out the main audio channel on the left you have a back up that you can pull from in post on the right. This approach has advantages over other types of overload protection such as limiters. First Audio Output Bracketing consumes no power from the battery and also adds no noise or distortion to your audio. Second every camera gain setting (and every different camera) will have a unique signal level at which clipping will start to occur. So if you were to attempt to use a limiter approach you would need to re-calibrate the point at which the limiter would kick in for each different gain setting of the camera (and each different camera).  Be careful because not all manufacturers even provide you with the ability to set the limiter threshold setting. Audio Output Bracketing needs no calibration for different cameras or different camera gain settings. The backup channel is always there at ~16dB lower signal level regardless of the camera or camera gain setting. The Riggy-Assist uses a 9V battery and is a high-current device when all of the elements are in operation (phantom power meter etc). However the Riggy-Assist has a number of features to allow you to optimize your battery life. Portions of the preamp can be selectively powered down if not being used (patent pending) to reduce the current and extend the battery life. If you are doing a fair amount of running-gunning with only one mic you can power down 1 of the XLR channels (patent pending). If you are using a camera that has meters visible while recording you can power down the meter (patent pending). Additionally many modern mics will run down to 12V phantom power so phantom power is selectable between 48V or 12V. Furthermore there are very high capacity lithium-polymer batteries on the market which also have the convenience of being rechargeable. The low-battery indicator can be switched between alkaline or lithium-polymer threshold so you can use either chemistry without leaving unnecessary capacity in the battery (patent pending). Battery estimates below. The Riggy-Micro series of preamps ( RM222 ) will get considerably longer battery life as it does not have the headphone meter or AGC Disable circuitry (and it will be smaller and lighter).  The Riggy-Assist  is designed to be used with cameras which do not have manual control meters or headphones. The preamp adds AGC Disable meters and headphones that are missing in the camera. If your camera already has those features then check out the Riggy-Micro line of preamps. The Riggy-Assist can also be used as a XLR front end to digital audio recorders. Features: Two Locking XLR Input Connectors Low-Noise Microphone Preamplifiers 4-Segment Meters can be User-Calibrated Switchable 12V / 48V Phantom Power Audio Output Bracketing Feature AGC Disable Switch Mic/Line Signal Level Switches Hi/Lo Gain Level Switches 1/8 In. Mono Headphone Output with Level Powered by a 9V Battery

Price: $399.00


Riggy-Micro Dual-XLR Preamplifier with Phantom Power

Riggy-Micro Dual-XLR Preamplifier with Phantom Power

. The RM222 Riggy-Micro Dual-XLR Preamplifier with Phantom Power juicedLink is designed for cameras featured with audio meters manual gain control and a headphone output. It is highly efficient in operation small size and has a lightweight design for mounting flexibility. It features 2 locking XLR input channels with low-noise microphone preamplifiers with a Mic/Line level switch a Hi/Lo gain switch and a Phantom power switch. The onboard Phantom power voltage is selectable between 48V/12V. The inputs can also be summed mono copying each input to both sides. It uses 9v battery for powering up. 2XLR inputs low-noise preamp with 48V/12V phantom power. 'Riggy-Micro' means that it is super small/light/power efficient and has numerous mounting and accessory options. Audio output bracketing for camera overload protection. Alkaline/LiPolymer operation. Selective power-down mode. The Riggy-Micro RM222 is a feature rich low noise preamp built tough and refined to provide the best power efficiency smallest size and lightest weight. It's small size and light weight also makes it unique in terms of flexibility for mounting it to your gear. Additionally it has features that make it even more useful allowing you to mount other accessories (mics wireless receivers etc) to the preamp. It is more than just a low-noise preamp with sweet audio features. It takes advantage of the valuable real estate when mounted to your camera to be able to mount more accessories to your camera (mics wireless receivers etc.). First the Riggy-Micro has Riggy mounting points allowing you to mount a RB401 Riggy Bracket which has 4 cold shoe mounts and lots of mounting holes for attaching more accessories to your camera like microphones and wireless receivers etc. The Riggy-Micro is also so small and light that it can be mounted on top of your camera in the hot-shoe. It's quite nice to get the preamp off of the bottom of your camera. Now you can attach a battery grip or just cradle the camera/lens in the palm of your hand like a DLSR is traditionally held. You will seperately purchase a cold-shoe to 1/4-20 male to mount to the 1/4-20 female on the bottom of the Riggy-Micro. While mounted on top of your camera you can add cold shoe mounts (one on the top and another on the right side) directly to the Riggy-Micro enclosure using the RB101 Riggy Cold Shoe Attachment. Features: Two Locking XLR Input Connectors Low-Noise Microphone Preamplifiers Switchable 12V / 48V Phantom Power Audio Output Bracketing Feature Mic/Line Signal Level Switches Hi/Lo Gain Level Switches Optional Mono Summing Selective Power-Down 1/8' Output for DSLR Compatibility Powered by a 9V Battery

Price: $329.00


FMX-42A 4-Channel Microphone Field Mixer

FMX-42A 4-Channel Microphone Field Mixer

. The Azden FMX-42a is a portable 4-channel audio mixer designed for professional and semi-professional field audio capturing. The FMX-42a features 4 balanced 3-pin XLR microphone inputs with individually switched +48VDC phantom power. A pair of balanced XLR outputs provide line or mic level (switchable) signal to cameras recorders etc. Additional features include a switchable input limiter to reduce the possibility of overload distortion Left/Center/Right pan switches on all input channels and enhanced circuitry for improved signal-to-noise ratio. A 10-pin camera return is also provided. Overall the Azden FMX-42a proves to be an affordable field mixing solution for event videos ENG/EFP applications documentaries and more. Balanced Mic Inputs The FMX-42a features 4 XLR microphone inputs. The balanced inputs deliver high gain and low noise floor VU Meters Dual analog meters provide a comprehensive read on audio level Balanced Line or Mic Level Outputs Dual balanced line or mic level switchable outputs via XLR male connectors provide balanced audio signal to inputs on cameras and additional mixers 2-Channel Addressable Outputs Incoming signal from either channel can be assigned to either left or right outputs if signal isolation is desired Input Limiters Both inputs feature high quality switchable limiters. The limiters protect against peak distortion due to overload Camera Return A 10-pin camera return is provided for video applications

Price: $549.00


FMX-32A 3-Channel Portable Field Mixer

FMX-32A 3-Channel Portable Field Mixer

. New and improved the Azden FMX-32A 3-Channel Portable Field Mixer now uses the same circuit topology as the more expensive FMX-42 series mixers. With improved signal to noise ratio and wider frequency response the new FMX-32a is designed for the demanding needs of Professional Videographers. The small all metal battery operated (6-“AA”) mixer can be attached directly to the camera with supplied hook-and-loop fastener or neck worn with the optional FMX-32c carrying case. The FMX-32a has the following features: 3 XLR microphone inputs each with 2 input settings 3 input level controls master level control switchable phantom power and limiters for each input channel-addressable (L-C-R) Stereo XLR and mini outputs 5-step LED array for easy signal monitoring 12V DC input for external power (optional BC-27 power supply) and a 1/4' monitor headphone jack with level control. Features: Compact and Portable Metal Chassis Enhanced Circuitry 3 XLR Mic Inputs with Level Control Switchable Phantom Power Switchable Limiters XLR and Mini Outputs 1/4' Headphone Jack with Level Control 5-Step LED Array Battery or External Powering

Price: $449.00


FMX-DSLR Portable Audio Mixer for Digital-SLR Camera

FMX-DSLR Portable Audio Mixer for Digital-SLR Camera

. Azden's FMX-DSLR Portable Audio Mixer for Digital-SLR Camera is a two-channel mixer designed specifically for use with a DSLR camera. It features twin XLR inputs so that you can utilize professional microphones with your camera by using the camera's minijack output. The mixer has automatic gain control a return feature and can be mounted directly to the camera or to a tripod for placement flexibility. Two-Channel Mixer This stereo mixer is designed specifically for those who want to use pro-quality microphones with a digital-SLR camera. The XLR inputs are compatible with a wide range of audio recording devices like shotguns wireless mics and more Automatic Gain Control The mixer has an automatic gain control circuit so when it's turned on it creates a constant signal to go to the camera. This is always engaged to reduce noise in the signal Return Feature This lets you take the signal from the headphone out on your camera and send it into the mixer so you can listen to the camera's sound as opposed to the mixer sound. That way you can hear what's on the tape as opposed to what's coming out of the mixer Mounting The mixer has a mount that allows you to mount it directly to the bottom of your camera. It also has a tripod mount on the bottom for flexibility in placement

Price: $289.00


S-amp 4 Channel Stereo Headphone Amplifier

S-amp 4 Channel Stereo Headphone Amplifier

. The S-Class Mini processors offer advanced signal processing in incredibly durable portable enclosures. Very affordable S Class Minis are perfect for home on the road or as a quick fix to a house sound system. The S-Amp features a four channel headphone amp with 1/4' stereo inputs and volume control for each channel. AC adapter included. FEATURES: Portable miniature 4-channel headphone amplifier Separate volume control knobs for each output Supports wide variety of headphone impedances Standard 1/4' stereo input jack for connection to mixer headphone outputs or headphone amplifiers

Price: $49.00


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